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Pithecanthropus Erectus

Mingus Ah Um 1959 · Charles Mingus · Mingus Ah Um

 

Mingus Dynasty 1959 · Charles Mingus · Mingus Dynasty

 

Pithecanthropus Erectus 1956 · Charles Mingus · Pithecanthropus Erectus

 

Album: Pithecanthropus Erectus
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Intérprete(s): Charles Mingus

1. Pithecanthropus Erectus 10:36
2. A Foggy Day 7:50
3. Profile of Jackie 3:11
4. Love Chant 14:59

Total Running time: 1:00:13


ALBUM DETAILS: Release Date: Oct 25 1990 Original Release Date: 1956 Total Running time: 1:00:13 Label: ATLANTIC / WEA Catalog No.: 8809 UPC: 75678145629

Performance Credits   Technical Credits  
Charles Mingus · Primary Artist, Bass
Jackie McLean · Alto Saxophone
Charles McPherson ·Alto Saxophone
Elvin Jones ·Drums
Will Jones ·Drums
Willie Jones ·Drums
Dannie Richmond ·Drums
Mal Waldron ·Piano
Bobby Jones ·Tenor Saxophone
J.R. Monterose ·Tenor Saxophone
Eddie Preston ·Trumpet  

Bob Defrin Art Direction
Tom Dowd Engineer
Hal Lustig Engineer
Nat Hentoff Liner Notes
Charles Mingus Liner Notes
Nesuhi Ertegun Producer
Stephen Innocenzi Mastering
Ahmet Ertegun Liner Notes
Claude Nobs Liner Notes, Re-Release Coordinator
Yves Bigot Liner Notes
Jean Ristori Mastering
Urs Tschuppert Booklet Design
Thierry Amsallem Re-Release Coordinator  
   


One of the great figures in modern jazz, bassist Charles Mingus was the ultimate triple threat: a master of his instrument, a jazz composer of the first rank, and an insightful leader of a series of extraordinary and incendiary bands. Raised in Los Angeles, Mingus was a devotee of Duke Ellington, whose compositional style had an unsurpassed effect on the young composer. As a player, however, Mingus was drawn to his contemporaries, who included Thelonious Monk, Bud Powell, Charlie Parker, and Max Roach (indeed, Roach and Mingus co-owned their own Debut Records during the '50s). Perhaps his greatest contribution was bridging the gap between those two generations: in Mingus's music, one could always explicitly hear the continuity between the big bands and the bebop era, the affinity between the romantic and the modern. Although he had recorded extensively for numerous labels including his own Debut Records, Mingus's relationship with Atlantic would yield many of his greatest recordings. Cut in 1956, Pithecanthropus Erectus was his first date for the label, and it provided something of a breakthrough for Mingus in his use of extended compositions: the 10-minute title track, and the lovely "Profile of Jackie," are among the bassist's finest recordings. The band is notable for the inclusion of the under-recorded tenor saxophonist J.R. Monterose. --Fred Goodman


Charles Mingus
Mingus Dynasty