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Album: Mingus Dynasty · Intérprete(s): Charles Mingus
1. Slop 6:14 2. Diane 7:28 3. Song With Orange 6:47 4. Gunslinging Bird 5:12 5. Things Ain't What They Used to Be 7:35 6. Far Wells, Mill Valley 6:11 7. New Now Know How 4:12 8. Mood Indigo 8:12 9. Put Me In That Dungeon 2:51 10. Strollin' 4:33 Bonus Track
Total Running time: 59:15 |
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ALBUM DETAILS: Release Date: Feb 16 1999 Original Release Date: 1959 Total Running time: 59:15 Label: SONY Catalog No.: 65513 UPC: 74646551325
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Charles Mingus ·Primary Artist, Bass John Handy ·Alto Saxophone, Saxophone Jerome Richardson ·Baritone Saxophone, Flute, Saxophone Seymour Barab ·Cello Maurice Brown ·Cello Dannie Richmond ·Drums Sir Roland Hanna ·Piano Booker Ervin ·Saxophone, Tenor Saxophone Benny Golson ·Saxophone, Tenor Saxophone Jimmy Knepper ·Trombone Don Ellis ·Trumpet Dick Williams ·Trumpet Teddy Charles ·Vibraphone Theodore Cohen ·Vibraphone, Vocals
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Howard Fritzson Art Direction Allen Weinberg Art Direction Paul M. Martin Artwork Ray Moore Enginer Fred Plaut Engineer Chris Albertson Liner Notes Charles Mingus Liner Notes Brian Priestley Liner Notes Teo Macero Producer John Snyder Reissue Randall Martin Reissue Design Michael Cuscuna Reissue Producer Rob Schwarz Remixing Mark Wilder Remixing Vic Anesini Mastering, Remixing
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Like its companions in the button-bursting Complete Columbia Recordings three-CD set, Mingus Dynasty has some expanded pleasures. First, there's the band, which reaches to 10 members for half the tunes here. Second, there's the reissue's unique expansions, returning "Slop," "Song with Orange," "Gunslinging Bird," and "Things Ain't What They Used to Be" to their full, unedited length for the first time on CD. Columbia had a bad rep for some of the original edits on this and Mingus Ah Um, and the restorations give a far fleshier feel to these works, all of them balanced on a seesaw of flesh and brawn. There are downright lovely moments, as on "Diane," and moderately punching swingers, as on "Slop" and the undertow pull of "Gunslinging Bird." Jerome Richardson does wonders on the baritone sax, tugging the ear to the lower realms so Mingus can thumpily shine on his big axe. Of equal importance are John Handy, busy here training his alto sax to sound unlike anyone else's, and Booker Ervin, busy here giving the band a Texas tenor sound as wide open, unequivocal, and tonally economical as the dusty prairie. --Andrew Bartlett |
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